Genres:
- Comedy
- Reality
- Horror
- Thriller
- Romance
- Action
- Adventure
- Hybrid
- Sci-fi
- Crime
- Historic (period)
Romance
Two people meet at a cafe; man walks up to the girl and buys her drinks; they get to know each other and have fun; girl leaves number on tissue; goes on more dates to the cinema and restaurant; end up getting together.
Crime/ Thriller
Detective has been investigating the crime of two girls being kidnapped for 11 years. One returns but the family are questioning if this is the right girl. The detective tries to find all three men that are involved and includes his allies to help, but can they be trusted?
Opening:
The scene starts with the detective looking at images of the missing girls and looking at the possible suspects. Then the scene changes to a girl in a forest, struggling to walk and end up in a town and collapses. Towns people send her to the local hospital. Diegetic sounds are playing (footsteps and crunching leaves); and non-diegetic sounds in the background (slow, creepy music).
The girl is taken to the family and tries to settle in; there are interviewers outside the house interrogating the family. The family are shocked to see the girl returning and conflict occurs within the household between the parents as one thinks that she isn't the daughter; the dad is always out and the brother is in a gang and always getting arrested.
The detective tries to get answers out of the girl and find the men who were involved, however the girl doesn't want to talk to anyone and isolates herself away from everyone.
The girl fakes a death and runs away as she can't cope being back at home, leaving the family in distraught and horror from the incident. However, the detective still tries to find the men that were involved and doesn't believe that the girl is actually dead, therefore he tries to find her too. He finds clues from newspapers and travels to Iraq and Germany to find the three soldiers that took the girls.

Ryan's opening idea
A group of teenagers are at a large house party to celebrate on of their 16th birthdays. The scene opens with them all drinking and speaking about the history of their friendship. The scene then cuts to them cleaning up after the party. one of the friends then finds a mysterious looking book that has strange ancient symbols on the cover. One of the friends says to leave the book alone but the friend who discovered it takes it with them and reads if.
A week after reading a selection of passages from the book the friends experience consistent bad luck until one of the friends decide to interrogate the friend who read the book. The next day after rhis the friend mysteriously disappears and the scene cuts to them appearing to be possessed by evil spirits and wreaking havoc amongst their friendship group.
the scene ends with a news report which is informing of the deaths of the three teenagers who were involved with this book and its evil history.
Scene starts with the two teenagers laughing
in a living room with the TV on and candles in the background. The teenagers
become bored and decide to play tarot cards. The teens pull the Death, Hanging
man and Tower cards to then be greeted by a thunderstorm erupting in the
background. Scenes of a mysterious figure can be seen in the background through
the windows of the house. Throughout the opening there will be crosscuts of the
mysterious figure entering the area and the garden of the house.
After a short while, the TV begins to static and the
candles flicker. One of the teens start to panic whilst the other brushes it
off and tries to calm the other down. TV now switches off
completely and both teenagers become anxious.
The murderer eventually breaks into the house without
the teenagers knowing. He begins to taunt and torture them mentally.

Script
BLACKOUT
VOICE-OVER - JACK
"It was a normal day, at first. Thought I finally got a chance at love. That was about to Change"
FADE INTO TITLE SCREEN
"DATENAPPED"
FADE IN.
INT. / DAYTIME / RESTAURANT.
A brightly lit restaurant with an open window view in the centre of town. Two males, known as Brad and Jack, are having a blind date. Brad is a dark, nerdy character who seems to have a mysterious aura about him. The other, Jack, has a very innocent appearance: light hair and bright blue eyes. He seems like a genuine, loving young man.
JACK
"So, do you come here often?"
BRAD
"Yeah I come here.. probably every weekend? Roughly."
JACK
"Oh? Why's that?"
BRAD
"I come here to do a couple of shifts here and there. Just some extra work."
JACK
"Oh right."
BRAD
"Excuse me! Waitress!"
*Waitress walks over to the table*
"Could we have a glass of bourbon, and a glass of wine please?"
SHELLY
"Of course! I'll be right back."
*Waitress walks over to the bar*
BRAD
"No thank you."
*Waitress leaves*
*Both JACK and BRAD pick up their drinks*
"Oh right."
BRAD
"Excuse me! Waitress!"
*Waitress walks over to the table*
"Could we have a glass of bourbon, and a glass of wine please?"
SHELLY
"Of course! I'll be right back."
*Waitress walks over to the bar*
CAMERA FOLLOWS WAITRESS USING A TRACKING SHOT.
The bar is a very simplistic bar. The waitress stands over the bar with her back to the rest of the restaurant. Shelly makes two drinks and slips a mysterious powder into right glass. She collects the drinks and walks back over to the table.
JACK and BRAD
"Thank you!"
SHELLY
"Is there anything else I can get for you two?"
BRAD
"No thank you."
*Waitress leaves*
*Both JACK and BRAD pick up their drinks*
CAMERA CUT TO THE WAITRESS FOLLOWED BY A EYE-LINE SHOT OF THE DOOR.
Shelly looks over to the couple sitting at the table then looks back to the door. She then flips the sign over from open to closed. Waitress walks away and the CAMERA ZOOMS INTO THE SIGN SLIGHTLY. CAMERA CUTS BACK TO TABLE.
BRAD
"Cheers!"
*Couple bash drinks. JACK takes a sip*
"So, how's your evening going so far?"
JACK
"It's going.. okay.. T-thank.. you."
BRAD
"What's wrong? Are you okay?"
*Audio sounds to dilate as BRAD speaks*
*Waitress walks behind JACK and covers his head with a sack*
SCREEN SUDDENLY CUTS TO BLACK.
FADE IN.
INT. / NIGHTTIME / DARK ROOM.
The scene begins with a CLOSE-UP SHOT of Jack's face which has been covered with a sack. CAMERA ZOOMS OUT to become a MEDIUM SHOT. The sack is viciously ripped off Jack's head to reveal a slightly beat, tired-looking Jack. CAMERA CONTINUES TO ZOOM OUT to become a LONG SHOT. We now see that Jack is tied up on a chair in a dark room with a single spotlight poised onto his face and upper body.
CAMERA CUTS to a TRACKING SHOT of the kidnapper's lower leg and feet, slowly walking towards the light emitting from the spotlight.
The kidnapper is in fully dark clothing. Mainly leather clothes with black shoes and a dark gas mask.
CAMERA CUTS to a TRACKING SHOT of the kidnapper's lower leg and feet, slowly walking towards the light emitting from the spotlight.
The kidnapper is in fully dark clothing. Mainly leather clothes with black shoes and a dark gas mask.
KIDNAPPER
*Ominously circles the chair as JACK tries to escape from rope*
*Calming tone*
"Don't try to escape. It'll only end badly for you."
JACK
*Nervous voice*
"Wha-Wha-What do you Wa-Want from me?"
KIDNAPPER
*Snaps to action, throws hand to JACK's neck and begins to threaten in a more aggressive voice*
"You only speak when I tell you to!"
*Pulls away slowly and continues to walk in circles around JACK*
*Speaks in a calm yet enthusiastic manor*
"So, what're we going to do with him?"
KIDNAPPER
"Not sure yet, we'll have to wait and see what he says."
*JACK continues to struggle and attempts to break out of the rope*
"Do you know why you've been brought here? Any thoughts?"
JACK
"N-no.. Of course not!"
KIDNAPPER
"Hmm, thought as much. That's a shame."
KIDNAPPER 2
"Guess we'll have to enlighten him.."
KIDNAPPER
"I guess we shall. Your family destroyed ours, we want revenge. Simple."
JACK
"Who are you? What does what my family have done have to do with me? They're the ones you should be after!"
KIDNAPPER
"Who I am is none of your concern yet. What your family has done has everything to do with you. You're the one they did it for, to give you an even better life than you would have already got. Spiteful if you ask me, selfish. The rich always want more."
JACK
"Are... Are you going to kill me? Oh god, please don't, please"
KIDNAPPER
"Of course not. How vulgar. And anyway, where's the fun in that?"
KIDNAPPER 2
"I'm getting bored now.. Let's kill him!"
CAMERA CUTS to another kidnapper standing up against the wall who is also wearing all black.
KIDNAPPER 2*Speaks in a calm yet enthusiastic manor*
"So, what're we going to do with him?"
KIDNAPPER
"Not sure yet, we'll have to wait and see what he says."
*JACK continues to struggle and attempts to break out of the rope*
"Do you know why you've been brought here? Any thoughts?"
JACK
"N-no.. Of course not!"
KIDNAPPER
"Hmm, thought as much. That's a shame."
KIDNAPPER 2
"Guess we'll have to enlighten him.."
KIDNAPPER
"I guess we shall. Your family destroyed ours, we want revenge. Simple."
JACK
"Who are you? What does what my family have done have to do with me? They're the ones you should be after!"
KIDNAPPER
"Who I am is none of your concern yet. What your family has done has everything to do with you. You're the one they did it for, to give you an even better life than you would have already got. Spiteful if you ask me, selfish. The rich always want more."
JACK
"Are... Are you going to kill me? Oh god, please don't, please"
KIDNAPPER
"Of course not. How vulgar. And anyway, where's the fun in that?"
KIDNAPPER 2
"I'm getting bored now.. Let's kill him!"

Evaluation
As a group, we decided to
go with Tim's story opening because it's easier to film and it fits well into
the horror genre, as said by one of the classmates for feedback. For example,
one of our peers mentioned that the use of the stereotypical two teenagers home
alone watching horror movies and messing with paranormal equipment was a good
idea. They also mentioned that the ironic thing of something bad happening to
the teenagers (which creates a tense atmosphere for both the characters and the
audience) was a good idea as it also links with many theories of
representations of the youth. For example Ann Gould's theory of the six
stereotypes of teenagers, which in this case is self-destructive and
nihilistic.
This film will be at a low
budget due to the group not purchasing many of the mise-en-scene such as the
props and the location (such as the house) as one of the members in our group
can facilitate this for us.
Furthermore, the
cinematography used is camera angles. The camera angles which are usually used in
horror films are: close up shots to emphasize the characters facial expressions
and make the audience sympathize for each character; medium shots to show the
scenery and all the characters to create either calm or eerie ambience; Dutch
angle, which can make it look like a character is lost or loosing focus or the
camera is in the audiences perspective and is in a low angle shot (which makes
the audience feel intimidated); and lots of high angle shots are used to make
the victim and audience feel vulnerable and intimidated although the camera is
looking down on the victim. Whilst filming, I will try to include all these
shots to emphasize the horror genre and make my target audience want to watch
the film.
In addition, the
mise-en-scene will have a location of a teenagers house in a normal and quiet
neighborhood; props such as the spiritual equipment such as the tarot cards,
equipment for a living room and a knife or baseball bat for the murderers
weapon. As this is a film, the knife will be a fake for health and safety
issues however, we will make it look real to keep the story looking realistic;
and the lighting will be dim to show the horror genre, which makes it emotive
to the target audience watching. These are the stereotypical props used for a
teenage horror movie as blood is stereotypically involved and usually a
murderer chasing the teenage victim.
When editing, horror movies
tend to use smash cuts (intense dream and waking up) to emphasize the
characters fear; invisible cut (cuts blended in) to create an eerie enigma and
make the audience wonder what will happen next; l-cut (audio carries into a new
shot); and a j-cut (audio from a new scene comes before you see it) to
emphasize the tense atmosphere.
In contrast, the techniques
used when filming will include continuity editing (the use of using the same
mise-en-scene to make sure the shot links together and looks the same), which
is important because it will help the audience understand more of what’s
happening and not confuse them ; sometimes the 180 degree rule (showing 180
degrees in the shot, showing both characters) to show the scenery and the
characters body expressions, which also interlinks with the characters facial
expressions to help the audience know what the characters are trying to say;
shot reverse shot (mainly used in conversations or a character looking back at
something); eye-line match (characters looking at each other); insert shot and
cut away. These are used to make the audience understand what is going on and
want to watch more of the movie. Therefore to make my film successful, I will
try to include this whilst I’m editing.
















